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Modern Artefacts
- Date:
- 12.08.2026
- Theme:
- Modern Artefacts
- Info:
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Some objects resist immediate interpretation. They feel simultaneously technological, industrial, biological and…Some objects resist immediate interpretation. They feel simultaneously technological, industrial, biological and archaeological; their function remains unclear, yet their materials, structures and methods of construction suggest a specific purpose or origin. I’m interested in this ambiguity — objects that could be prototypes, scientific instruments, fragments, specimens or artifacts from an unknown system. Removed from clear function and context, material, structure and construction become the primary carriers of meaning, placing these objects somewhere between the present and an imagined future.
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Footwear Studies
- Date:
- 12.08.2026
- Theme:
- Footwear Studies
- Info:
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A shoe can change completely depending on how it is staged. Suspension, scale, perspective, constructed environments,…A shoe can change completely depending on how it is staged. Suspension, scale, perspective, constructed environments, lighting, movement and digital manipulation all influence how a familiar object is perceived. Rather than focusing on footwear as design alone, I’m interested in the image-making decisions surrounding it and how set design, photography and post-production can give the product a distinct visual presence. The recurring question is simple: how far can the image transform the object without changing the object itself?
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Spaces of Light
- Date:
- 12.08.2026
- Theme:
- Commercial Space
- Info:
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Light can define a space as much as the architecture itself. Ceilings, panels, openings and indirect illumination…Light can define a space as much as the architecture itself. Ceilings, panels, openings and indirect illumination become structures that determine proportion, depth and orientation. I’m particularly interested in environments where light and architecture become difficult to separate — where surfaces appear to glow, boundaries dissolve and otherwise minimal spaces develop a distinct atmosphere through illumination alone. These spaces reveal how controlled light can transform architecture into an almost abstract spatial experience.
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Scent Objects
- Date:
- 12.08.2026
- Theme:
- Scent Objects
- Info:
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How much of a fragrance’s story can be told by the bottle alone? Without models, props or elaborate environments, the…How much of a fragrance’s story can be told by the bottle alone? Without models, props or elaborate environments, the product becomes the entire narrative surface. Light, transparency, color, reflection and shadow are used to suggest qualities that cannot actually be seen — scent, temperature, intensity, sensuality or freshness. I’m interested in how photographers and brands use these elements to give an invisible product a visual identity, and how a single object can communicate an entire atmosphere without leaving the frame.
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The Car as a sculpture
- Date:
- 16.07.2026
- Theme:
- The Car as a sculpture
- Info:
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Cars become particularly interesting when they stop appearing as finished products. Covered, dismantled, modified,…Cars become particularly interesting when they stop appearing as finished products. Covered, dismantled, modified, damaged or reduced to individual components, they shift attention away from brand and performance towards form, material, surface and construction. A bare chassis reveals an architecture normally hidden from view, while a covered vehicle becomes an abstract volume; wheels, seats, lights and body panels begin to function as objects in their own right. I’m interested in these transitional states because they expose a different visual language of the automobile, one shaped by manufacturing, protection, repair, transformation and display. At what point does a functional machine begin to read as a structure, artifact or sculpture?
*Research is a curated collection of externally sourced imagery. All rights belong to their respective owners